Alvord has great music flowing through him. Alvord explores the treacherous domain of broken bonds, lonely travels, homelessness and seedy dementia with the ease of an old soul... infallible songwriting. The official flagbearer for North State roots rocking, Brendon Alvord is forging a path few dare to — and doing it in pristine fashion. Johnny Cash meets Bob Dylan.
Nestled within the city limits of Redding, California, and professing what amounts to the anti-ethos of rock'n'roll, Brendon Alvord's ascent to official flagbearer of NorCal roots rocking is more impressive if you don't look at the places he's playing (mainly small bars), but rather his infallible songwriting chops. The Amazing Countrified Garage Band 'I Always Tell Myself I'm Livin' Free' "Maybe it'd be the same, wherever I grew up might not make a difference. Would I play techno if I lived in the city?" he quips. Today, the band has undergone a major overhaul. Comprising the core are locals Eric Day on lead guitar and bassist Steve Huff, with contributions by Scott Joss (fiddler for Merle Haggard) on the upcoming debut album to be released in Fall 2010. Broken Bonds, Homelessness "The last couple of years, I didn't sit down and have a notebook or anything, wasn't writing things down, keeping track of anything or even recording anything... Most of the songs do have some concrete ideas, and the choruses are the same a lot of the time. Maybe I'll make up a different verse in between," he explains. Beyond the Living Room, a Bonfire "We'll probably just keep playing in the living room more than anything, which is probably the most rewarding part of it anyway, for me." You wanted a veritable bonfire of a local rock band? You've got it. —Ryan Prado Record Searchlight 07.06.06 Weaverville 24-year-old singer/songwriter Brendon Alvord and his band played one killer original tune after the next. There appeared to be no end to Alvord's barrel of songs that found raw, crunchy grooves and never failed to be captivating. The tunes are also lyrically strong and their progressions were neither tired nor predictable. In the band's corner are Laurie O'Connell and Ed Barger, a couple who helped produce and record early work by the Meat Puppets and Devo. "We haven't felt this excited about an artist since we first heard the Kirkwood brothers (Meat Puppets) noodling around in their Phoenix garage 25 years ago," O'Connell e-mailed me last week. I can see why she's energized. Alvord has great music flowing through him. —Jim Dyar
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